This week we launched two new interactives embedded in Ezra Klein’s blog, Wonkbook. Ezra and Dylan Matthews put together the information, Todd Lindeman designed it and Andrew Metcalf built it. I helped with styles, etc. It’s a fun experience, and I love that it’s built for the blog. Check them out!
I’ve been completely delinquent about posting here. I will try to do better, and in the meantime, here is a selection of work from the first part of the year (am going to follow this up with some breakout posts on specific projects).
What’s at stake on Super Tuesday?
Going way back to Super Tuesday, we published this really fun motion graphic featuring Chris Cillizza and the delegate mountain that Todd Lindeman and Sisi Wei built. I worked on storyboarding it with the team, a well as helping in the studio (led by AJ Chavar and Sohail Al-Jamea) and with building out the page. The project was really fun and newsy, and a great job especially by animator Sohail, and of course Chris Cillizza.
Rescue and Recovery
This is a really powerful piece looking at Virginia Tech five years after the massacre, through the lens of an iconic image of survivor Kevin Sterne. I did design, development, audio and wrote one of the segments of the piece. I love the simplicity and amazing story. Again, an awesome team effort with work from Ben de la Cruz, Bill O’Leary, Josh du Lac and others:
Repairing the Washington Monument
This piece about the damage to the national icon just came out last week — featuring a 3-D model by Alberto Cuadra, and reporting by Cristina Rivero. Kathryn Faulkner, the summer intern in graphics, did most of the heavy lifting on the interactive side, with me in an editing role and pitching in to help with some of the tricky parts, like the rotating model. The piece turned out beautifully:
Today, we came out with a new graphic that looks at the tax breaks on the books this year. It is part of Running in the Red, a series the Post has been running for the past few months, and accompanied Lori Montgomery’s front-page story, “Ever-increasing tax breaks for U.S. families eclipse benefits for special interests,” a great story that explains spending through the tax code.
And a couple more (relatively) recent charts:
This one I worked on with Alicia Parlapiano and Neil Irwin. Because I wanted to create animate transitions and interactivity, I used Flash to create this graphic. It has detailed drilldowns to look at employment in each sector of the economy. I tried to inject more annotation into this graphic (and the taxes one above) than we have done in the past with data-driven graphics. Instead of throwing a bunch of data out there, we’re providing more context and guided views — by category and by sector versus a completely self-guided data dive.
This was a fun chart I helped our intern, Heather Billings, with at the beginning of the summer. We used flot to make these charts showing how the lead changed between the Heat and the Mavericks during the NBA finals. This was particularly fun for me because I got really into the NBA finals this year and watched every game. I know, hard to believe, but true. I was a having a great time analyzing the outcome of the games and reading all the news — and if you missed it, this was a great article from Bill Simmons at Grantland.
And another one about when and if China’s economy will pass the United States to become the world’s largest.
On Nov. 2, midterm election day, we put up these maps that tracked the results as they came in. For Senate and Governors we had state and county-level data, and we had House districts as well. This suite of maps was published in The Washington Post, as well as on Yahoo! News and the Telegraph (UK). The maps have balance of power charting and tabular results as well as zooming and deep linking features. Continue reading
In preparation for the September 14 primaries, I designed this widget for the Politics front. It features house, senate and governors races that auto advance, as well as races to watch, and allows you to see all the races in one convenient spot. It was actually built out by a contractor, Zvi Band of SkeevisArts. We used it on the politics front as the live results came in, and will be able to re-purpose it for future elections.
I worked on a whole bunch of aspects of this project and did a lot of brainstorming and storyboarding, but my primary focus was the interactive “network connections” graphic. In the beginning we wanted to create a graphic that illustrated the redundancy and size of Top Secret America and had a ton of data in it, while not being overwhelming. Continue reading